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來自9個世界地區的84項樂器、儀式、傳統、作品、風格和發明，從冰河時代的笛子到電子音樂。遠古發現的年代為約數；本選集並非完整或排名式的經典。
時代
所有時代
史前
西元前3000年以前
3項
古代
西元前3000年 – 500年
11項
中世紀
500 – 1450年
18項
文藝復興與巴洛克
1450 – 1750年
10項
古典與浪漫主義
1750 – 1900年
15項
20世紀至今
1900年至今
27項
搜尋
地區
所有地區
大洋洲
中東
北美洲
拉丁美洲
東亞
東南亞
非洲
南亞
歐洲
型別
型別
🎻
樂器
🎶
歌唱與儀式
🪘
傳統
🎼
作品
🎸
風格與流派
🎛️
記譜與技術
84/84項
84個地點 · 弧線表示有據可查的影響
樂器
歌唱與儀式
傳統
作品
風格與流派
記譜與技術
音樂時間線
史前
西元前3000年以前 · 3項
🎻
樂器
c. 45,000–60,000 years ago (disputed)
Divje Babe flute (disputed)
Cerkno, Slovenia · Mousterian (Neanderthals)
In 1995 archaeologists in the Divje Babe cave near Cerkno found an 11.4 cm piece of a young cave bear's thigh bone with several holes, beside a Mousterian hearth. Some researchers see a Neanderthal flute; others attribute the holes to carnivores chewing the bone. The debate is unresolved. Dating estimates range from about 43,000 years (radiocarbon) to 50,000–60,000 years (ESR).
🎻
樂器
c. 40,000 years ago
Hohle Fels flute
Hohle Fels near Schelklingen, Germany · Aurignacian
In 2008 archaeologists in the Hohle Fels cave in the Swabian Jura found a nearly complete flute made from the radius of a griffon vulture, with five finger holes. Fragments of ivory flutes came from the same cave and from nearby Vogelherd. The finds from the lowest Aurignacian layers are at least 35,000 years old, possibly c. 40,000, and rank among the oldest known musical instruments.
🎻
樂器
c. 7000–5700 BCE
Crane-bone flutes of Jiahu
Jiahu, Henan, China · Jiahu (Neolithic China)
At the Neolithic settlement of Jiahu in Henan, archaeologists found flutes made from the wing bones of cranes, with five to eight finger holes: six nearly complete examples and fragments of dozens more. They date from the site's occupation, c. 7000–5700 BCE, and are among the oldest playable multi-note instruments known. One well-preserved flute has been played and tonally analysed.
古代
西元前3000年 – 500年 · 11項
🎻
樂器
c. 2550–2450 BCE
Lyres of Ur
Ur, southern Iraq · Sumerian
In the Royal Cemetery at Ur in southern Mesopotamia, an expedition led by Leonard Woolley found three lyres and a harp decorated with gold, silver, lapis lazuli and shell, some with bull heads. They date to Early Dynastic III (c. 2550–2450 BCE) and are among the oldest surviving stringed instruments. The wood had decayed, so Woolley poured plaster into the cavities to preserve the shapes. They are now in museums in Baghdad, London and Philadelphia.
🎻
樂器
Old Kingdom, c. 2300 BCE
Egyptian harps and sistra
Saqqara (Memphis), Egypt · Ancient Egypt
Arched harps and sistra were already in use in Egypt in the Old Kingdom (c. 2686–2181 BCE). Early harps had four or five strings; from the New Kingdom larger harps with many strings appeared. The sistrum, a rattle shaken in rhythm, was linked to the goddess Hathor and to temple ritual; a royal example bears the name of King Teti (c. 2323–2291 BCE).
🎻
樂器
c. 2200 BCE
Flutes of Caral
Caral, Supe Valley, Peru · Caral-Supe (Andes)
In the Sacred City of Caral-Supe, about 180 km north of Lima, researchers led by Ruth Shady found more than thirty flutes made of pelican bone (some accounts also mention condor bone). They date from the heyday of the Caral civilization (c. 3000–1800 BCE), with a radiocarbon date of c. 2200 BCE, and are among the oldest musical instruments of the Americas. What was played on them is unknown.
🎼
作品
c. 1400 BCE
Hurrian Hymn to Nikkal
Ugarit (Ras Shamra), Syria · Hurrian (Ugarit)
In the ancient city of Ugarit (Ras Shamra, Syria), clay tablets inscribed in cuneiform with Hurrian hymns and musical notation were found in the 1950s, dating to c. 1400 BCE. One tablet, the Hymn to Nikkal (h.6), is nearly complete and is regarded as among the oldest substantially surviving notated melodies. The notation refers to a nine-stringed lyre; its interpretation is disputed and reconstructions differ.
🎶
歌唱與儀式
c. 1200–1000 BCE
Vedic chant
Kurukshetra region, northern India · Vedic culture
In the Vedic tradition of northern India, sacred texts are passed on orally with fixed pitch accents. The Samaveda holds the melodies (saman) for the liturgy, with verses largely taken from the Rigveda; its existing text is dated to c. 1200–1000 BCE. Eleven recitation methods (pathas) ensure exact transmission, and UNESCO recognised the tradition as intangible heritage in 2008.
🎶
歌唱與儀式
traditionally 10th century BCE – 70 CE
Levite Temple singing
Temple Mount, Jerusalem · Ancient Israelite and Jewish
According to the biblical Book of Chronicles, King David appointed Levites as singers and musicians with lyres, harps and cymbals for worship; they would serve in Solomon's Temple in Jerusalem. Historians differ on how reliable this dating is, but the Second Temple (516 BCE–70 CE) also had Levite singers and musicians. The Mishnah describes a Temple orchestra and choir, and many psalms carry musical directions.
🎛️
記譜與技術
c. 530 BCE (traditional)
Pythagorean tuning
Croton (Crotone), Italy · Ancient Greek (Magna Graecia)
Greek tradition credits Pythagoras, active around 530 BCE in Croton in southern Italy, with discovering that the octave, fifth and fourth correspond to simple string-length ratios (2:1, 3:2, 4:3). The monochord, a single string with a movable bridge, became the standard tool for measuring intervals, and Plato discusses the tuning in his Timaeus. Historians doubt Pythagoras found this himself: tuning by fifths and fourths already appears on Babylonian tablets (from the 18th century BCE).
🎻
樂器
from c. 500 BCE
The guqin
Central China (Zhou realm) · Chinese (Zhou and literati culture)
The guqin, a seven-string Chinese zither, is mentioned in texts nearly 3,000 years old, and examples about 2,500 years old have been found in tombs. It was one of the four arts of the Chinese literati and is traditionally associated with Confucius. Its music is preserved in tablature, with more than 3,300 pieces known. UNESCO recognised the guqin in 2008, and Guan Pinghu's ‘Flowing Water’ travelled on the 1977 Voyager Golden Record.
🎻
樂器
c. 433 BCE
Bianzhong of Marquis Yi
Suizhou, Hubei, China · State of Zeng (Warring States)
The tomb of Marquis Yi of Zeng near Suizhou, Hubei, excavated in 1978, held a set of 65 bronze bells on a three-tiered frame, regarded as the heaviest percussion instrument ever unearthed. Each bell sounds two different notes depending on where it is struck, and the range spans about five octaves. The bells carry 3,755 characters on pitches and music theory and date from c. 433 BCE.
🎻
樂器
3rd century BCE
Hydraulis (water organ)
Alexandria, Egypt · Hellenistic Egypt
The hydraulis, an early pipe organ in which water keeps the air pressure in the wind chest steady, is attributed to the Hellenistic engineer Ctesibius of Alexandria (3rd century BCE). It remained in use in the Roman world: remains of an instrument dated 228 CE were found in 1931 in Hungary (Aquincum). The organ later reached Western church music via Byzantium.
🎼
作品
1st–2nd century CE
Seikilos epitaph
Tralles (Aydın), Turkey · Greek (Roman Asia Minor)
A marble column from Tralles (modern Aydın, Turkey), found around 1883, carries a song with Greek musical notation above the words. It is usually dated to the 1st or 2nd century CE and is regarded as the oldest surviving complete musical composition with notation. The text urges the listener to shine while alive; the column is kept in the National Museum of Denmark.
中世紀
500 – 1450年 · 18項
🎶
歌唱與儀式
from the 5th–6th century
Byzantine chant
Constantinople (Hagia Sophia), Turkey · Byzantine
In Constantinople a distinct church music for the liturgy of the Byzantine Empire developed from Greek, Syriac and Jewish traditions. The kontakion, a long sung verse sermon, reached its peak in the 6th century with Romanos the Melodist, around the rebuilding of Hagia Sophia. Orthodox churches still sing this tradition, which continued after the fall of Constantinople in 1453.
🎶
歌唱與儀式
6th century (traditional)
Ethiopian chant (Yared)
Aksum, Ethiopia · Aksumite / Ethiopian Orthodox
Ethiopian Orthodox church chant (zema) is traditionally traced to Saint Yared of Aksum (6th century), who is said to have received three modes (ge'ez, ezel and araray) and to have developed its notation. The earliest known manuscripts with notation date from the 14th century, and the notation (melekket) was codified in the 16th century. Little is known about Yared outside the tradition.
🎶
歌唱與儀式
c. 622 (traditional, shortly after the hijra)
Adhan (call to prayer)
Medina, Saudi Arabia · Early Islamic community (Hejaz)
According to Islamic tradition, the adhan, the sung call to prayer, was instituted in Medina shortly after the hijra (622); Bilal ibn Rabah, a formerly enslaved man of Abyssinian descent, became the first muezzin. In Islamic tradition the adhan and Quran recitation are not classed as ‘music’, but they are delivered melodically, with regional preferences for particular maqamat. Sunni and Shia accounts of its institution differ.
🪘
傳統
701 (court music bureau)
Gagaku
Nara, Japan · Japanese imperial court
In 701 Japan established the Gagaku-ryō, the court music bureau; the word gagaku is the Japanese reading of Chinese yayue. Shaped by music from China, Korea and elsewhere, it was performed at state ceremonies in the Nara period (710–794), including those around the Great Buddha of Tōdai-ji. It took nearly its present form around the 10th century, is still performed by the Imperial Household's music department and was inscribed by UNESCO in 2009.
🎶
歌唱與儀式
c. 750–900 (traditionally Gregory I, c. 600)
Gregorian chant
Rome (and the Frankish realm), Italy · Frankish-Roman (Latin Church)
Gregorian chant is the monophonic, unaccompanied sung liturgy of the Latin church. Legend credits Pope Gregory I (c. 600), but scholars mainly see it as a Frankish-Roman synthesis around 750 under Pepin and Charlemagne. The earliest surviving manuscripts with notation date from c. 930. The chant spread quickly across Europe and became the basis for later notation and polyphony.
🪘
傳統
c. 800–900
Abbasid music in Baghdad
Baghdad, Iraq · Abbasid Caliphate
In Baghdad under the early Abbasids (c. 800–900) music was both a court art and a field of learning. Masters such as Ibrahim al-Mawsili (742–804) served at the court of Harun al-Rashid, and the scholar al-Kindi (c. 801–873) is the earliest Arab-Islamic music theorist whose writings survive. He applied the Greek tonal system to the oud, used Arabic letters for notes and wrote on the therapeutic value of music.
🪘
傳統
c. 8th–9th century (Borobudur)
Javanese gamelan
Borobudur, Central Java, Indonesia · Javanese
Reliefs at Borobudur in Central Java (8th–9th century) show ensembles with flutes, drums, bells and metallophones, instruments that also occur in the gamelan. Whether this was already a gamelan in the modern sense remains uncertain; the instruments took their present form under the Majapahit Empire. The gamelan was inscribed by UNESCO in 2021, and a Javanese court piece travelled on the 1977 Voyager Golden Record.
🪘
傳統
822
Ziryab and Andalusian music
Córdoba, Spain · Al-Andalus (Umayyad)
The singer and lutenist Ziryab (c. 789–857), trained in Baghdad by Ibrahim al-Mawsili, settled at the Umayyad court of Córdoba in 822. There he founded a music school and introduced the Baghdad style; tradition also credits him with adding a fifth string (pair) to the oud. He is regarded as the founder of the Andalusian music traditions of North Africa, though the link with the later nawba is uncertain.
🎻
樂器
c. 1,000–1,500 years ago (disputed)
Didgeridoo (yidaki)
Arnhem Land, Northern Territory, Australia · Aboriginal peoples of northern Australia (incl. Yolŋu)
The didgeridoo, called yidaki in north-east Arnhem Land, is a wind instrument of Aboriginal peoples of northern Australia, played with song and in ceremony. There is no consensus on its age: rock paintings in Arnhem Land show players and point to use for roughly 1,000–1,500 years, while much greater ages have not been demonstrated. According to ethnomusicologist Alice Moyle it probably originated in the north-west of the Northern Territory, at first as a bamboo instrument.
🎛️
記譜與技術
c. 1025
Guido's staff notation
Arezzo, Italy · Medieval Italy (Benedictine)
The Benedictine monk Guido of Arezzo (c. 991–after 1033) developed, first at Pomposa and from 1025 at Arezzo, a method that let singers read melodies instead of memorising them for years. He is regarded as the inventor, or by some the developer, of staff notation and of the solmization syllables ut-re-mi-fa-sol-la, taken from the hymn ‘Ut queant laxis’. His Micrologus (c. 1025–26) became one of the most widely circulated medieval music treatises.
🎸
風格與流派
c. 1100–1350
Troubadour song
Poitiers (Aquitaine), France · Occitan (courtly culture)
Troubadours were poet-composers who wrote songs in Old Occitan about courtly love and chivalry, chiefly in Occitania and Aquitaine. The earliest troubadour whose work survives is William IX, Duke of Aquitaine (1071–1126). More than 2,500 lyrics are preserved, and women (trobairitz) composed too. The tradition inspired the trouvères, the Minnesang and Galician-Portuguese lyric.
🎼
作品
c. 1151
Ordo Virtutum
Rupertsberg near Bingen, Germany · Benedictine (Rhineland)
Around 1151 Hildegard of Bingen wrote the Ordo Virtutum, an allegorical sung play about the struggle between the Virtues and the Devil for a human soul. It contains 82 melodies in plainchant style, and every role is sung except the Devil, who only shouts. It is regarded as the earliest morality play and as one of the very few medieval music dramas with both text and music attributed to one person.
🎸
風格與流派
c. 1160–1250
Organum of the Notre-Dame school
Notre-Dame, Paris, France · Parisian school (ars antiqua)
Around Notre-Dame Cathedral in Paris a school of polyphony (ars antiqua) flourished from about 1160 to 1250. Léonin and Pérotin are named as the best composers of organum and as compilers of the Magnus Liber Organi, which adds extra voices to chant. The motet arose from its clausulae. The surviving sources date from after 1230, and the rhythmic interpretation is disputed.
🪘
傳統
13th century (Mali Empire)
Griots of the Mandé
Kangaba, Mali · Mandé (West Africa)
Griots (jeli) are hereditary singers, storytellers and keepers of Mandé oral history, often accompanied on the kora, balafon or ngoni. In the epic of Sundiata Keita, founder of the Mali Empire (13th century), the hero is given the griot Balla Fasséké as adviser. In 1352–53 Ibn Battuta described court poets and a balafon-like instrument in Mali. The tradition lives on, for example at commemorations in Kangaba.
🪘
傳統
1325–1521
Aztec music
Tenochtitlan (Mexico City), Mexico · Aztec (Mexica)
In Tenochtitlan (c. 1325–1521) music was closely bound to ritual and dance. Key instruments were the huehuetl (an upright drum played by hand) and the teponaztli (a slit drum played with mallets), alongside flutes, shell trumpets and rattles; string instruments were virtually absent. Song schools (cuicacalli) trained musicians. Our knowledge comes from surviving instruments, codices and Spanish chronicles, so it is partly reconstruction.
🎼
作品
c. 1360 (before 1365)
Machaut's Messe de Nostre Dame
Reims Cathedral, France · Ars nova (France)
Before 1365 Guillaume de Machaut (c. 1300–1377) composed the Messe de Nostre Dame for Reims Cathedral, where he was a canon. The four-voice work is regarded as the earliest complete polyphonic setting of the Ordinary of the Mass attributable to a single composer. Machaut unites the movements into a stylistically coherent whole; four movements are in motet style, and some tenors are based on plainchant.
🎸
風格與流派
c. 1420–1600
Franco-Flemish polyphony
Cambrai, France · Franco-Flemish school
From about 1420 to 1600 composers from northern France and the Burgundian Netherlands dominated European polyphonic church music: Du Fay and Binchois, later Ockeghem and Josquin des Prez, and finally Lassus. Many trained in cathedral choir schools such as Cambrai and worked at Italian and Spanish courts. Their style, with equal voices, became the first truly international style since Gregorian chant, and printing sped its spread.
🎶
歌唱與儀式
1447 (adapted in 1464)
Jongmyo jeryeak
Jongmyo Shrine, Seoul, South Korea · Joseon Korea (Confucian)
At the Jongmyo shrine in Seoul, the Confucian ritual for the ancestors of the Joseon kings is accompanied by song, dance and court music. The pieces Botaepyeong and Jeongdaeeop were composed in 1447 under King Sejong for royal banquets and adapted in 1464 under Sejo for the ritual. It is still performed every May; its bronze bell chimes (pyeonjong) derive from the Chinese bianzhong. UNESCO listed it as intangible heritage in 2008.
文藝復興與巴洛克
1450 – 1750年 · 10項
🪘
傳統
16th century
Carnatic music and Purandara Dasa
Hampi (Vijayanagara), India · Kannada / South Indian (Vijayanagara)
Carnatic music, the classical tradition of South India, acquired its teaching method in the 16th century under the Vijayanagara Empire thanks to Purandara Dasa (c. 1470–c. 1564). He wrote accessible devotional songs in Kannada and designed graded exercises with the raga Mayamalavagowla as the basic scale, which is why he is called the ‘Pitamaha’ (grandfather) of Carnatic music. The tradition draws on ancient Hindu texts, notably the Samaveda.
🎛️
記譜與技術
1501
Petrucci's Odhecaton
Venice, Italy · Venetian printing
In 1501 Ottaviano Petrucci published the Harmonice Musices Odhecaton in Venice, a collection of 96 polyphonic songs, mostly French chansons. It is regarded as the first book of polyphonic music printed with movable type, using a triple-impression technique (staves, text, notes). It mainly contained works by Franco-Flemish composers and helped spread their style across Europe.
🎻
樂器
c. 1550
Amati and the violin family
Cremona, Italy · Cremonese violin making
The violin emerged in early 16th-century northern Italy; the earliest pictures, showing three strings, date from about 1530. Andrea Amati (c. 1505–1577) of Cremona is credited as one of the first to build instruments of the modern violin family, alongside makers such as Gasparo da Salò of Brescia. Between about 1560 and 1574 Amati made some 38 instruments for the French court of Charles IX.
🎼
作品
24 February 1607
Monteverdi's L'Orfeo
Mantua (Gonzaga court), Italy · Gonzaga court (late Renaissance/early Baroque)
L'Orfeo, a ‘favola in musica’ by Claudio Monteverdi with a libretto by Alessandro Striggio, premiered on 24 February 1607 at the Gonzaga court in Mantua. Jacopo Peri's Dafne is generally recognised as the first opera and his Euridice as the earliest surviving one, but L'Orfeo is the earliest still regularly performed. The printed score (1609) lists about 41 instruments, grouped by scene and character.
🎛️
記譜與技術
c. 1700
Cantemir's notation
Istanbul (Fener), Turkey · Ottoman
The Moldavian prince and scholar Dimitrie Cantemir (1673–1723), who lived mostly in Constantinople between 1687 and 1710, devised around 1700 a notation for Ottoman music based on the Turkish alphabet. In his Kitâb-ı İlmü'l-Mûsikî he recorded more than 350 instrumental pieces, an important source for Ottoman court music. He also composed some forty pieces himself.
🎻
樂器
c. 1700
Cristofori's piano
Florence, Italy · Medici court, Florence
In Florence Bartolomeo Cristofori (1655–1731), instrument maker to Prince Ferdinando de' Medici, built a keyboard instrument on which the player could play soft and loud through touch alone. A Medici inventory of 1700 lists an ‘arpicembalo … che fa il piano e il forte’, the first unambiguous evidence of the piano. Three instruments from the 1720s survive (New York, Rome, Leipzig), and his hammer action was far ahead of its time.
🎻
樂器
1716
Messiah Stradivarius
Cremona, Italy · Cremonese violin making
In 1716 Antonio Stradivari (c. 1644–1737) built in Cremona the violin later nicknamed the ‘Messiah’. It stayed in his workshop until his death and was sold by his son only in 1775; because it was rarely played, it survives in exceptionally fine condition. Via the Hill family it reached the Ashmolean Museum in Oxford. Stradivari worked in the Cremonese tradition of the Amati family; his apprenticeship with Nicolò Amati is likely but not undisputed.
🎼
作品
1722 (Book 1); 1742 (Book 2)
The Well-Tempered Clavier
Köthen, Germany · German Baroque (Lutheran)
The first book of Das Wohltemperirte Clavier, compiled in 1722 at Köthen, contains 24 preludes and fugues in all major and minor keys, intended ‘for the profit and use of musical youth’. A second book followed twenty years later in Leipzig. The title points to a tuning in which all keys are usable; which temperament Bach intended is debated. Glenn Gould's recording of a prelude and fugue from Book 2 travelled on the 1977 Voyager Golden Record.
🎼
作品
1725 (printed; composed c. 1716–1723)
Vivaldi's Four Seasons
Venice, Italy · Venetian Baroque
Antonio Vivaldi's four violin concertos Le quattro stagioni were printed in Amsterdam in 1725 as part of Il cimento dell'armonia e dell'inventione (Op. 8). They were probably composed between about 1716 and 1723; the exact dating is uncertain. Each concerto comes with a sonnet, possibly by Vivaldi himself, that elucidates the music, making them among the earliest and most detailed examples of programme music.
🎼
作品
13 April 1742
Handel's Messiah
Fishamble Street, Dublin, Ireland · German-British Baroque
George Frideric Handel composed Messiah in 1741 in 24 days, to a biblical text compiled by Charles Jennens. The English-language oratorio was first performed in Dublin on 13 April 1742, at a charity concert, and reached London a year later. After a modest start it became one of the best-known choral works in Western music; Mozart arranged it in 1789 for performances in Vienna.
古典與浪漫主義
1750 – 1900年 · 15項
🪘
傳統
1766–1790
Haydn and the Classical style at Eszterháza
Eszterháza (Fertőd), Hungary · Viennese Classical style (Esterházy court culture)
Joseph Haydn served the Esterházy family from 1761; from 1766 to 1790 he and his orchestra lived and worked at Eszterháza Palace, far from Vienna. That isolation, he later said, forced him to be original. He played a key role in developing the symphony, string quartet and sonata form, which is why he is often called the ‘father of the symphony’, a simplifying label. Mozart dedicated six quartets to him, and Beethoven was his pupil.
🪘
傳統
1790 (traditional dating)
Peking opera in Beijing
Beijing, China · Han Chinese music theatre (Qing court and Beijing)
By the usual dating, Peking opera was born in 1790, when four great Anhui troupes came to Beijing for the Qianlong Emperor’s eightieth birthday. Hubei troupes joined them in 1828. The result was a form that combines singing, recitation, mime, martial arts and acrobatics, accompanied by instruments such as the jinghu fiddle and percussion. UNESCO inscribed Peking opera on its list of intangible cultural heritage in 2010.
🎼
作品
30 September 1791
Mozart’s The Magic Flute
Vienna (Theater auf der Wieden), Austria · Viennese popular theatre and the Enlightenment
On 30 September 1791 Mozart’s Die Zauberflöte premiered at Emanuel Schikaneder’s Theater auf der Wieden, two months before Mozart’s death. It is a Singspiel in German, with spoken dialogue, comic and serious scenes, folk-like melodies and virtuoso arias such as the Queen of the Night’s. Many scholars see an influence of Freemasonry in the libretto; its exact interpretation remains debated.
🎼
作品
7 May 1824
Beethoven’s Ninth Symphony
Vienna (Kärntnertor Theatre), Austria · Viennese Classical–Romantic tradition
Beethoven’s Ninth premiered on 7 May 1824 at the Kärntnertor Theatre in Vienna, with the almost totally deaf composer on stage. In the finale soloists and chorus sing Schiller’s ‘An die Freude’, making Beethoven one of the first major composers to use voices in a symphony. An instrumental arrangement of the theme is the Anthem of Europe. In 1989 Leonard Bernstein conducted the work in Berlin with ‘Freiheit’ (freedom) replacing ‘Freude’.
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傳統
1831–1849
Chopin and Parisian piano culture
Paris (Pleyel salons), France · Parisian salon and piano culture (Polish emigration)
Chopin settled in Paris in October 1831 and stayed until his death in 1849. He made his Paris debut in the Pleyel salons on 26 February 1832 and later preferred small circles to large halls. His piano works include études, nocturnes and the 24 Preludes (1835–1839), a cycle through all keys inspired in part by Bach’s Well-Tempered Clavier. Paris was then a centre of piano virtuosos, among them Franz Liszt.
🎼
作品
9 March 1842
Verdi’s Nabucco
Milan (Teatro alla Scala), Italy · Italian opera in the Risorgimento era
Nabucco (originally Nabucodonosor) premiered on 9 March 1842 at La Scala in Milan, then under Austrian rule, and became Verdi’s first major success. Its chorus of the Hebrew slaves, ‘Va, pensiero’, is often seen as a symbol of the Italian unification movement, although historians dispute how strongly it was understood that way in 1842. At Verdi’s funeral in 1901 onlookers spontaneously sang it.
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傳統
c. 1860–1910
Flamenco and the cafés cantantes
Seville, Spain · Andalusian Gitano culture
In the second half of the 19th century the ‘cafés cantantes’ of Seville and other Andalusian cities gave flamenco a professional stage, with a regular audience and rivalry between singers. In 1881 Silverio Franconetti opened his famous café in Seville. The art form of song (cante), dance (baile) and guitar (toque) grew out of the Gitano culture of Andalusia; its exact origins remain debated. UNESCO recognised flamenco as intangible heritage in 2010.
🎶
歌唱與儀式
6 October 1871
Fisk Jubilee Singers and the spirituals
Nashville, Tennessee, United States · African American spiritual tradition
Fisk University in Nashville, five years old and in financial trouble, sent a group of students on a fundraising tour in 1871, starting on 6 October. Most of the students and their families had only recently been freed from slavery. The Fisk Jubilee Singers performed spirituals, the religious songs of enslaved African Americans, a cappella for concert audiences; in 1873 they sang for Queen Victoria. Their first tours raised about $40,000.
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作品
13–17 August 1876
Wagner’s Ring at Bayreuth
Bayreuth (Festspielhaus), Germany · German Romantic opera
The Bayreuth Festspielhaus opened in 1876 with the first complete performance of Wagner’s four-part Der Ring des Nibelungen (13–17 August). The theatre was designed for the work, with a sunken orchestra pit and a darkened auditorium. Wagner aimed at a ‘Gesamtkunstwerk’ uniting music, poetry, visual art and drama, and Beethoven was a major inspiration. The annual festival continues; Wagner’s antisemitic writings and later Nazi appropriation make his legacy controversial.
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記譜與技術
November 1877
Edison’s phonograph
Menlo Park, New Jersey, United States · American inventor culture
Thomas Edison announced his phonograph on 21 November 1877, demonstrated it on 29 November and received a patent in 1878. It recorded sound on tinfoil and played it back, and is regarded as the first device to both record and reproduce sound. Earlier, Scott de Martinville’s phonautograph (1857) had traced sound waves but could not play them back. Wax cylinders and gramophone discs followed, laying the foundation of the recording industry.
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樂器
from 1879
The ukulele in Hawaiʻi
Honolulu, Hawaiʻi, United States · Hawaiian and Portuguese-Madeiran communities
In late August 1879 Portuguese migrants from Madeira arrived in Honolulu aboard the Ravenscrag, bringing small guitar-like instruments such as the machete (braguinha), cavaquinho and rajão. From these the ukulele developed in the 1880s; the Madeiran cabinet makers Manuel Nunes, Augusto Dias and José do Espírito Santo are generally credited as its first makers. King Kalākaua strongly promoted the instrument.
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傳統
1880s
Tango on the Río de la Plata
Buenos Aires (and Montevideo), Argentina · Urban working classes of the Río de la Plata
Tango arose in the 1880s in the poorer port districts of Buenos Aires and Montevideo, among European immigrants, criollos and descendants of enslaved Africans. Milonga, habanera and candombe are named as forerunners; its origin lies on both banks of the Río de la Plata and cannot be pinned to one city or person. In 2009 Argentina and Uruguay jointly had the tango inscribed on UNESCO’s intangible heritage list.
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傳統
from 1881
Rabindra Sangeet: the songs of Tagore
Kolkata (Calcutta), India · Bengali culture
The Bengali poet Rabindranath Tagore wrote and composed some 2,200 songs, known as Rabindra Sangeet. His musical drama Valmiki Pratibha was first staged in his family home in Calcutta on 26 February 1881. The music blends Hindustani classical music, Bengali folk song and Western melodies, such as a Scottish tune behind ‘Purano shei diner kotha’. Tagore’s ‘Jana Gana Mana’ became India’s national anthem and ‘Amar Shonar Bangla’ that of Bangladesh.
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作品
22 December 1894
Debussy’s Prélude à l’après-midi d’un faune
Paris, France · Fin-de-siècle Paris (Impressionism and Symbolism)
Debussy’s Prélude à l’après-midi d’un faune, inspired by Stéphane Mallarmé’s poem, was first performed in Paris on 22 December 1894 under Gustave Doret. Its free form, floating harmony and colourful orchestration, opening with a solo flute, make it a model of ‘Impressionist’ music, a label Debussy vigorously rejected. Pierre Boulez saw in it the beginning of modern music. Debussy first heard Javanese gamelan at the 1889 Paris World’s Fair; echoes of it sound in his later work.
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作品
1899
Scott Joplin’s ‘Maple Leaf Rag’
Sedalia, Missouri, United States · African American ragtime tradition
The African American composer Scott Joplin signed a contract with the publisher John Stark in August 1899 for his piano piece ‘Maple Leaf Rag’; the copyright was registered on 18 September 1899. The piece became the model for ragtime, the syncopated piano style. Its name may refer to the Maple Leaf Club in Sedalia, where Joplin played, though direct evidence is lacking. Ragtime is counted among the roots of jazz.
20世紀至今
1900年至今 · 27項
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風格與流派
c. 1900
Delta blues in Mississippi
Tutwiler (Mississippi Delta), United States · Rural African Americans of the Mississippi Delta
Delta blues, one of the earliest known blues styles, took shape around the turn of the 20th century in the Mississippi Delta, drawing on work songs, field hollers and spirituals. In 1903 W. C. Handy heard a man at the Tutwiler train station play guitar with a knife as a slide, a frequently cited account. Recordings date only from 1928–1930; later Charley Patton, Son House and Robert Johnson became celebrated. Slide guitar is a hallmark of the style.
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風格與流派
c. 1900–1917
Jazz in New Orleans
New Orleans, Louisiana, United States · African American communities of New Orleans
Jazz arose in the late 19th and early 20th centuries in the African American communities of New Orleans, from blues, ragtime, brass-band marches, spirituals and African rhythms, combined with collective improvisation. Cornetist Buddy Bolden, whose band peaked around 1900–1907, is a key figure, yet no recording of him is known. The first jazz record appeared in 1917 (Original Dixieland Jass Band). Louis Armstrong, born in the city, became one of the great innovators.
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風格與流派
late 19th century (Havana c. 1909)
Son cubano in eastern Cuba
Santiago de Cuba (Oriente), Cuba · Rural population of eastern Cuba (Oriente)
The son cubano arose in the late 19th century in the mountainous east of Cuba (Oriente) as a blend of Spanish and African elements: the vocal style and the tres, derived from the Spanish guitar, alongside clave rhythm, call-and-response singing and percussion rooted in Bantu traditions. Around 1909 the son reached Havana; in the 1920s the sextet became its standard line-up. Salsa and the cha-cha-cha are derived from the son.
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作品
29 May 1913
Stravinsky’s The Rite of Spring
Paris (Théâtre des Champs-Élysées), France · Russian avant-garde (Ballets Russes) in Paris
Igor Stravinsky’s The Rite of Spring premiered in Paris on 29 May 1913 as a Ballets Russes production by Diaghilev, with choreography by Vaslav Nijinsky and designs by Nicholas Roerich. Its raw rhythms, harsh harmonies and depiction of a pagan spring ritual caused a sensation. The famous ‘riot’ is, according to some scholars, an exaggeration, as the word appears only in later reviews. The work is regarded as a milestone of modernism.
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風格與流派
registered 27 November 1916; released 1917
Samba and ‘Pelo Telefone’
Praça Onze, Rio de Janeiro, Brazil · Afro-Brazilian community of Praça Onze (Rio de Janeiro)
‘Pelo Telefone’, registered under Donga’s name in November 1916 and released in 1917, is according to the National Library of Brazil the first recorded samba, although older recordings exist. The song came out of the circle around Tia Ciata at Praça Onze and is a collective creation of disputed authorship. Samba itself grew out of Afro-Brazilian communities in Bahia and acquired its modern form in the late 1920s in Rio’s Estácio district.
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風格與流派
25 July – 5 August 1927
The Bristol Sessions and country music
Bristol (Tennessee/Virginia), United States · Appalachian folk and country tradition
Between 25 July and 5 August 1927, Ralph Peer of the Victor Talking Machine Company recorded dozens of songs by rural musicians in Bristol, on the Tennessee–Virginia state line. The sessions included the first recordings of Jimmie Rodgers and the Carter Family. Some call them the ‘Big Bang’ of modern country music, although commercial country recordings existed since 1922; Bristol is known as the ‘birthplace of country music’.
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傳統
14 March 1931
Alam Ara and the Hindi film song
Bombay (Mumbai), India · Hindi film culture of Bombay
Alam Ara, directed by Ardeshir Irani and released in Bombay on 14 March 1931, was India’s first sound film in Hindustani and featured seven songs. It launched the tradition of the film song, in which singing and dancing became integral to Hindi cinema. The film music of Bombay, later called ‘Bollywood’, grew into a dominant form of popular music in India, drawing on Indian classical and folk traditions as well as Western styles.
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樂器
designed 1931; sold from 1932
The electric guitar: the ‘Frying Pan’
Los Angeles, California, United States · American instrument making and the Hawaiian-music craze
In 1931 George Beauchamp, with Paul Barth, designed a cast-aluminium lap steel guitar with an electromagnetic pickup, nicknamed the ‘Frying Pan’. Ro-Pat-In, the company of Beauchamp, Adolph Rickenbacker and Barth, produced it in Los Angeles from 1932; it is regarded as the first commercially successful electric guitar. It was meant for Hawaiian-style playing, then popular, but the amplified guitar became the most important instrument of popular music in the 1950s and 1960s.
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歌唱與儀式
from 1934
Umm Kulthum and Egyptian radio
Cairo, Egypt · Egyptian and Arab tarab tradition
In 1934 Umm Kulthum sang at the inaugural broadcast of Egyptian state radio, and for decades afterwards gave a radio concert on the first Thursday of every month. Trained in Qur’an recitation by her father, a village imam, she sang in the tarab tradition, which aims at an intense emotional experience shared by performer and audience. Her concerts lasted hours and consisted of two or three songs; her funeral in 1975 drew millions.
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歌唱與儀式
1939
Solomon Linda’s ‘Mbube’
Johannesburg, South Africa · Zulu migrant workers (mbube and isicathamiya)
In 1939 Solomon Linda and his group the Evening Birds improvised the song ‘Mbube’ in Gallo’s studio in Johannesburg; it reportedly sold more than 100,000 copies in South Africa. The a cappella style, rooted in the Zulu singing tradition of migrant workers, gave its name to the mbube genre and shaped isicathamiya. Via ‘Wimoweh’ (The Weavers, 1951) it became ‘The Lion Sleeps Tonight’ (1961); Linda had sold his rights for ten shillings.
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樂器
1930s–1940s
The steelpan in Trinidad
Port of Spain, Trinidad and Tobago · Afro-Trinidadian Carnival culture
The steelpan developed in Trinidad and Tobago in the 1930s and 1940s from Carnival percussion traditions such as tamboo bamboo, and is made from oil drums. In 1939 Alexander’s Ragtime Band appeared as the first all-steel band. Several pioneers, including Winston ‘Spree’ Simon and Ellie Mannette, are credited with its development. In 1992 the steelpan was declared the national instrument of Trinidad and Tobago.
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風格與流派
March 1951 (‘Rocket 88’)
Rock and roll in Memphis
Memphis (Sun Studio), Tennessee, United States · African American rhythm and blues and Southern country
Rock and roll emerged in the late 1940s and early 1950s in the United States from rhythm and blues, gospel, jazz, country and boogie-woogie; there is no single place of origin. In Memphis, Sam Phillips recorded ‘Rocket 88’ in March 1951 in his studio, later Sun Studio, released as Jackie Brenston and his Delta Cats (in fact Ike Turner’s band). Many writers call it one of the first rock and roll records, some the first. In 1954 Sun Records followed with Elvis Presley’s first single.
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風格與流派
1958
Bossa nova and ‘Chega de Saudade’
Copacabana, Rio de Janeiro, Brazil · Brazilian samba culture in Rio de Janeiro
Bossa nova, ‘new trend’, is a relaxed style of samba that developed in the late 1950s in Rio de Janeiro; the clubs of the Beco das Garrafas in Copacabana are regarded as its cradle. An early landmark was ‘Chega de Saudade’ by Antônio Carlos Jobim and Vinicius de Moraes, released in 1958 on Elizeth Cardoso’s album with João Gilberto on guitar and the same year as a single by Gilberto himself. His calm, syncopated guitar style condensed the samba rhythm onto the classical guitar. Jazz influenced the style, but the resemblance is partly parallel evolution.
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樂器
1964
The Moog synthesizer
Trumansburg, New York, United States · American electronic music and engineering
After meeting the composer Herb Deutsch in 1963, the American engineer Robert Moog developed a modular synthesizer in Trumansburg (1964), regarded as the first commercial synthesizer. Its key innovation was voltage control of pitch. The instrument reached popular music through Wendy Carlos’s ‘Switched-On Bach’ (1968); the portable Minimoog followed in 1970.
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風格與流派
late 1960s
Reggae in Kingston
Kingston, Jamaica · Marginalised communities of western Kingston; Rastafari
Reggae emerged in Jamaica in the late 1960s, developing from mento through ska and rocksteady. Toots and the Maytals’ ‘Do the Reggay’ (1968) was the first popular song to use the word. The music stresses short offbeat chords on guitar or piano, a heavy bass line and call-and-response singing, and is closely linked to Rastafari. UNESCO added the reggae music of Jamaica to its intangible heritage list in 2018.
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風格與流派
c. 1969–1970
Fela Kuti’s Afrobeat
Lagos, Nigeria · Yoruba music and highlife (Nigeria)
Afrobeat arose in Nigeria in the late 1960s around bandleader Fela Kuti and drummer Tony Allen, blending Yoruba music and highlife with American funk, jazz and soul. After ten months in Los Angeles in 1969, Kuti renamed his group Africa ’70 and from 1970 played at his club, the Afrika Shrine. His politically charged songs targeted Nigeria’s military rulers; in 1977 soldiers destroyed his commune, the Kalakuta Republic.
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風格與流派
11 August 1973
Hip hop in the Bronx
The Bronx (1520 Sedgwick Avenue), New York, United States · African American, Caribbean and Latino communities in the Bronx
On 11 August 1973 the Jamaican-born DJ Kool Herc (Clive Campbell) played records at a back-to-school party organised by his sister Cindy in the recreation room at 1520 Sedgwick Avenue in the Bronx. He extended the instrumental ‘breaks’ using two copies of the same record, giving dancers and rappers a platform, and brought the sound-system culture of Jamaica with him. That evening is widely cited as hip hop’s birthdate, though the culture developed gradually in several places during the 1970s.
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作品
November 1974
Kraftwerk’s ‘Autobahn’
Düsseldorf (Kling Klang), Germany · German krautrock and electronic music scene
Autobahn (November 1974), the album by the Düsseldorf group Kraftwerk, led by Ralf Hütter and Florian Schneider, was recorded partly in their own Kling Klang studio and partly in Conny Plank’s studio. The roughly 22-minute title track evokes a car journey in electronic sounds; the band used a Minimoog among other instruments. Kraftwerk influenced synth-pop, hip hop, techno and house, and musicians such as David Bowie cited Autobahn as a major influence.
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風格與流派
1976–1977
Punk in London and New York
London (100 Club), United Kingdom · British and American youth culture of the 1970s
Punk rock emerged in the mid-1970s in local scenes in places such as New York (Ramones, Television), London (Sex Pistols, The Clash) and Australia, so its origin cannot be pinned to one city. The music is short, fast and do-it-yourself, rooted in 1950s rock and roll and 1960s garage rock. In London 1976 became a turning point: the 100 Club Punk Special (20–21 September) is seen as the moment punk moved from the underground towards the mainstream.
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記譜與技術
August–September 1977
The Voyager Golden Record
Cape Canaveral, Florida, United States · Worldwide (compiled under Carl Sagan)
In 1977 NASA launched the Voyager 1 and 2 probes, each carrying a Golden Record: a gold-plated copper disc with greetings in 55 languages, sounds of nature, images and music from many cultures and eras. A committee led by Carl Sagan selected the contents, including Bach, Mozart, Beethoven, Stravinsky, Louis Armstrong and Chuck Berry alongside Guan Pinghu, Blind Willie Johnson and Valya Balkanska. Both probes have since entered interstellar space.
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樂器
1980 (produced until 1983)
The Roland TR-808
Osaka, Japan · Japanese electronics industry
Roland’s TR-808, introduced in 1980 under chief engineer Tadao Kikumoto, was one of the first programmable drum machines and generated its sounds by analogue synthesis. It flopped commercially (about 12,000 units) but gained a cult following; its deep bass drum became a foundation of hip hop, house and other dance music, for instance through ‘Planet Rock’ and ‘Sexual Healing’. Roland’s founder Ikutaro Kakehashi also drove the creation of the MIDI standard (1983).
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風格與流派
1980s (first records from 1984)
House in Chicago
Chicago (The Warehouse), United States · Black queer club culture of Chicago
House emerged in the early and mid-1980s in Chicago’s Black queer club culture, as DJs such as Frankie Knuckles and Ron Hardy reworked disco records with a more mechanical beat. The name is often traced to the club The Warehouse (1977–1982), though that origin is not undisputed. The first records appeared around 1984, such as Jesse Saunders’s ‘On and On’, which used a Roland TR-808 drum machine among other instruments.
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風格與流派
mid-1980s
Techno in Detroit
Detroit, Michigan, United States · African American youth in Detroit (the Belleville Three)
Techno emerged in the mid-1980s in and around Detroit, above all through Juan Atkins, Derrick May and Kevin Saunderson, the ‘Belleville Three’. They blended the electronic pop of Kraftwerk, Giorgio Moroder and Yellow Magic Orchestra with funk, electro and house, and drew on futurist ideas such as Alvin Toffler’s The Third Wave. Atkins released records as Model 500 from 1985; the term techno became attached to Detroit after the compilation Techno! The New Dance Sound of Detroit (1988).
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歌唱與儀式
from 1985
Nusrat Fateh Ali Khan and qawwali
Faisalabad, Pakistan · Sufi qawwali tradition (Punjab)
Qawwali is Sufi devotional music, traditionally sung at shrines across South Asia and widely attributed to the 13th-century poet-musician Amir Khusrau. The singer Nusrat Fateh Ali Khan, born in Faisalabad, brought the tradition to a global audience: his 1985 performance at the WOMAD festival was his first before a mainly non-Asian audience, followed by albums for Real World Records such as Mustt Mustt (1990, with Michael Brook). He died in 1997.
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風格與流派
11 April 1992
K-pop and Seo Taiji and Boys
Seoul, South Korea · South Korean pop culture
Seo Taiji and Boys debuted on 11 April 1992 on an MBC talent show with ‘Nan Arayo’ and received the jury’s lowest score, yet the song became a hit. Their ‘rap dance’, a blend of hip hop, techno and rock, is often seen as the start of modern K-pop; the term itself became common only in the late 1990s. Lee Soo-man of SM Entertainment then developed the idol system with H.O.T., the ‘first generation’. Where K-pop begins remains a matter of definition.
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記譜與技術
standard published 1993
MP3 from Erlangen
Erlangen, Germany · German research culture (Fraunhofer)
MP3 (MPEG-1 Audio Layer III) was developed largely by researchers at the Fraunhofer Institute in Erlangen under Karlheinz Brandenburg, who began working on music compression at the University of Erlangen-Nuremberg in the early 1980s. The method discards sound the ear barely notices. As part of the MPEG-1 standard it was published in 1993; Suzanne Vega’s a cappella ‘Tom’s Diner’ served as the first test track.
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記譜與技術
October 2008
Music streaming: Spotify
Stockholm, Sweden · Swedish tech culture
Spotify was founded in Stockholm in April 2006 by Daniel Ek and Martin Lorentzon as a legal alternative to music piracy, and launched in several European countries in October 2008. With an ad-supported free tier and paid subscriptions, listening shifted from owning files to access to a vast catalogue. Spotify was not the first streaming service but grew into one of the largest; the payment of artists remains disputed.
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